Naya Daur

Naya Daur

Album Category: Hindi, Film
Year: 1957
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Label: H.M.V.
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Album Credits: MUSIC ASSISTANT: G.S. Kohli. SONGS RECORDED BY: Ishan Ghosh, Minoo Katrak.
 
Film Credits: DIRECTOR: B.R. Chopra. PRODUCER: B.R. Chopra. STORY: Akhtar Mirza. SCREENPLAY: Akhtar Mirza. DIALOGUE: Kamil Rashid. ACTOR: Dilip Kumar, More...
 



Song Listing


 
Reshmi Salwar Kurta Jaali Ka
Singer: Asha Bhosle, Shamshad Begum
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi, Punjabi Folk
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Dil Deke Daga Denge
Singer: Mohammed Rafi
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi
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Yeh Desh Hai Veer Jawanon Ka
Singer: Mohammed Rafi, S. Balbir
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Bhangra
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Main Bambai Ka Babu
Singer: Mohammed Rafi
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi, Pop
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Aana Hai To Aa
Singer: Mohammed Rafi
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi, Bhajan
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Maang Ke Saath Tumhara
Singer: Mohammed Rafi, Asha Bhosle
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi, Sugam
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Uden Jab Jab Zulfen Teri
Singer: Mohammed Rafi, Asha Bhosle
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Punjabi Folk
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Saathi Haath Badhana
Singer: Mohammed Rafi, Asha Bhosle
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi, Sugam
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Ek Deewana Aate Jaate
Singer: Asha Bhosle
Music Director: O.P. Nayyar
Lyricist: Sahir Ludhianvi
Genre: Filmi
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Awards


 

Trivia


 

    Album

  • The man versus machine theme of this film was influenced by Mahatma Gandhi's views on modern technology and socialism. The film opened with the following quote of his displayed on the screen - "We are all leaves of a majestic tree whose trunk cannot be shaken off its roots which are deep down in the bowels of the earth. The mightiest wind cannot move it. In this there is no room for machines that would displaces human labour and would concentrate power in a few hands. Labour has its unique place in a cultured human family... Dead machinery must not be pitted against the millions of living machines represented by the villagers scattered in the seven hundred thousand villages of India. Machinery to be well used has to help and ease human effort...".
  • B.R. Chopra had initially cast Madhubala as this film's heroine. This would have been one of the handful of films in which she was paired with Dilip Kumar, whom she first met and fell in love with on the sets of the film "Tarana" (1951). After work on the film had progressed for some time, Chopra planned for a shooting schedule out of Bombay. Madhubala's father Ataullah Khan, who was also her manager, refused to send the actress out of town. According to some, this was Khan's attempt to drive a wedge between Dilip Kumar and Madhubala. According to others, Khan did so out of concern for his daughter's safety. A miffed Chopra replaced Madhubala with Vyjayanthimala and sued Madhubala and her father for breach of contract. Matters came to a head when Dilip Kumar declared his love for Madhubala in court but testified against her and Ataullah Khan. Chopra eventually withdrew the case. Madhubala and Dilip Kumar's attempts to reconcile failed and they became estranged after working in one last film together, "Mughal-E-Azam" (1960). Madhubala got married to Kishore Kumar in 1960 and Dilip Kumar married Saira Banu in 1966. Madhubala met with Dilip Kumar and Saira Banu shortly after their wedding and patched up with him. She spent her last years battling a congenital heart ailment and died in 1969.[1][2][3][4][5]
  • When B.R. Chopra first approached Dilip Kumar to play the film's lead role, the actor turned it down since he was very busy at the time. Chopra then went to Ashok Kumar, who loved the story but didn't think he would be able to do justice to a role in a rural setting. When he heard that Dilip Kumar had turned down the role before him, he asked him to reconsider his decision. Dilip Kumar signed up for the film this time. His performance in the film earned him critical acclaim and won him the Filmfare Award for Best Actor.

    Song

  • Reshmi Salwar Kurta Jaali Ka - Qamar Jalalabadi adapted a couple of lines in the first antara of this song for the Hindi film song "Nazron Ke Teer Maare Kas Kas Kas" ("Do Ustad", 1959). He altered the original lines "Jab jab tujhko dekhoon mere dil mein chhooten phuljhadiyaan / Karoonga tera peechha chaahe lag jaayen hathkadiyaan" to "Jaan-e-jahaan bolo chali ho kahan leke nainon mein yeh phuljhadiyaan / Tum pe maroonga gori pyaar main karoonga gori chaahe lagengi hathkadiyaan".[6]



References


 

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