Vasant Desai used the twin-track recording technique in this song. The technique was aptly used since the situation called for the heroine, Sumita Sanyal, to play a song on a gramophone player and sing along with it.
This Vasant Desai song used two different tunes for its two antaras. The tune of the second antara in this song may have been Vasant Desai's basis for the antara of one of his most popular songs - "Bole Re Papihara" ("Guddi", 1971).[1][MR10]